Menu

Zelenka Conference Prague

Od roku 2015 do roku 2021 jsme s Ensemble Inégal uspořádali 7 ročníků muzikologického kolokvia Zelenka Conference Prague. Jsem přesvědčen, že jejich konáním jsme dali definitivně sbohem přízraku toho tajemného a zapšklého skladatele a umožnili zrození hvězdy, která nás naučí, jak se přepisují dějiny hudby.

Zde je souhrn všech realizovaných přednášek seřazených podle počtu a abecedy, Celkem 16 přednášek jsme vydali v edici Clavibus Unitis (označeny zeleně) a čtyři přednášky byly vydány v Musicology Australia (označeny modře), vše je dostupné zdarma online.

https://www.acecs.cz/

a

https://www.tandfonline.com/doi/full/10.1080/08145857.2022.2187988

UKÁZKA PŘEHLE PŘEDNÁŠEK NA KONFERENCI 2015 – 2021

Za převratný počin a vstup do nové etapy poznání života a díla našeho skladatele pokládám společnou práci Janice B. Stockigt a Jóhannes Ágústsson prezentovanou v rámci prvního ročníku Zelenka Conference Prague: Reflections and recent findings on the life and music of Jan Dismas Zelenka. S největším počtem příspěvků během sedmi let pořádání konference vystoupila Janice B. Stockigt, se šesti a pěti příspěvky také její bývalí studenti Frederic Kiernan a Andrew Frampton, se čtyřmi prácemi pak Claudia Lubkoll a šéfredaktor muzikologického periodika Clavibus Unitis, kde byly vydány zeleně označené příspěvky, Jiří K. Kroupa. Tři práce prezentovali Jóhannes Ágústsson a Shelley Hogan, po dvou příspěvcích pak Denis Collins, Wolfgang Horn a Václav Kapsa. S jednou přednáškou to pak byli: Ondřej Dobisík, Michael Driscoll, Michaela Freemanová, Clemens Harasim, Thomas Hochradner, David Irving, Tomasz Jez, Maciej Jochymczyk, Pavel Jurák, Peter Martinček, Libor Mašek, Michael Maul, Kjartan Óskarsson, Samantha Owens, Jana Perutková, Alexander Rausch, Sebastian Sanyal, Maria Sawinkova, Jiří Sehnal, Michael Talbot, Karel Veverka, Jana Vojtěšková a Lukáš Vokřínek. 

Janice B. Stockigt (Melbourne) und Jóhannes Ágústsson (Reykjavík)

  • Reflections and recent findings on the life and music of Jan Dismas Zelenka 1679-1745 (2015)

Janice B. Stockigt (Melbourne)

  • Zelenka Reviewed and Re-evaluated (2015)
  • Zelenka and the Sectarian Politics of Saxony: 1733 (2016)
  • From Bohemia to Dresden: Jan Dismas Zelenka’s collection of sacred music (2017)
  • Presentation of the Czech translation of the monograph by Janice B. Stockigt: Jan Dismas Zelenka – Czech musician at the Dresden court, in the presence of the author and representatives of the Vyšehrad publishing house (2018)
  • The Genesis and Evolution of Zelenka’s Missa Sanctae Caeciliae ZWV 1 (2019)
  • A Meeting of Minds: Jan Dismas Zelenka’s „Laudate pueri“ ZWV 81: c1729 and Johann Sebastian Bach’s „Jauchzet Gott in allen Landen!“ BWV 51: c1730 (2020)

Frederic Kiernan (Melbourne)

  • Zelenka Reception in the Nineteenth Century: Some New Sources (2015)
  • Zelenka in Czech literature (2017)
  • Zelenka’s identity in the nineteenth century: dictionaries, encyclopedias, and other literature (2018)
  • Wolfgang Horn and Zelenka (2019)
  • Zelenka and his contemporaries from the perspective of reception study (2020)
  • The challenges of editing Zelenka’s “Gaude laetare” ZWV 168 (2021)

Andrew Frampton (Oxford)

  • Zelenka’s reworking of a Palestrina mass as shown in a recently discovered manuscript (2017)
  • From Dresden to Berlin: the Missa Sancti Spiritus (ZWV 4) as a case study in eighteenth-century Zelenka source transmission (2018)
  • Hidden in Plain Sight: Parody and Reworking in the Sacred Vocal Music of Jan Dismas Zelenka (2019)
  • Musical Exchange in a Golden Age: Berlin, Dresden and Johann Friedrich Agricola (2020)
  • Towards a Critical Zelenka Complete Edition: Problems and Possibilities

Claudia Lubkoll (Dresden)

  • Papers and watermarks in Zelenka’s autographic manuscripts in the SLUB Dresden (2015)
  • Watermarks in Jan Dismas Zelenka’s vesper psalms (2016)
  • Identification of several sieves of Schuchardt-paper dated in the 1730s (2020)
  • Watermark ‘Baroque ornament (2021)

Jiří K. Kroupa (Prag)

  • M.D.G.B.V.M.OO.SS.H.AA.P.I.R.: An Attempt to Reinterpret Zelenka’s Dedication Formula (2017)
  • The Jan Dismas Zelenka Library: fiction or reality? (2018)
  • Zelenka’s “Currite ad aras” (ZWV 166): Latin Text Revisited (2020)
  • Czech Zelenka editions until 2000 (2021)

Jóhannes Ágústsson (Reykjavík)

  • Vollkommener VIRTUOS': Jan Dismas Zelenka – the man, the myth, the musician (2015)
  • “Johann Samuel Kaÿser (1708-1750): Composer, Double Bass Player and Zelenka’s Colleague and Assistant” (2019)
  • Scheffler and Seipt: Zelenka Copyists ‘ZS 1’ and ‘ZS 2’ Revealed (2021)

Shelley Hogan (Melbourne)

  • A Reconstruction of Zelenka’s Early Membership in the Dresden Hofkapelle” (2018)
  • „Jean Baptiste Prache du Tilloy: the life and times of a Dresden court musician during the reign of August the Strong“
  • Changing basses: Marin Marais’ Alcyone tempest scene as evidence of changing orchestral practices in Zelenka’s earliest Dresden years (2021)

Denis Collins (Queensland)

  • Zelenka at the Crossroads of contrapunctus and partimento in the Early Eighteenth Century (2020)
  • Editing Zelenka’s Music: The view from Music Analysis (2021)

Wolfgang Horn (Regensburg)

  • Operas, Arias and Zelenka – some remarks on a special relationship (2015)
  • Elements, forms and genres in the masses of Jan Dismas Zelenka (2016)

Václav Kapsa (Prag)

  • Sacred music in Prague in the 1730s-40s:: the inventory of the Knights of the Cross with the Red Star revisited (2018)
  • A knot in the net? To the role of Bohosudov / Mariaschein in the musical contacts between Dresden and Bohemia during Zelenka’s time (2021)

Ondřej Dobisík (Prag)

  • The Second Life of Palestrina’s „Missa Papae Marcelli“ in the 17th and 18th Centuries (2020)

Michael Driscoll (Brookline USA)

  • Zelenka’s arrangements of ‘Dixit Dominus’ settings by other composers (2017)

Michaela Freemanová (Prag)

  • Jan Dismas Zelenka and Leonardo Leo (2015)

Clemens Harasim (Leipzig)

  • Zelenkas Magnificat-Vertonungen ZWV 107 und ZWV 108 im Kontext zeitgenössischer Marienkompositionen (2016)

Thomas Hochradner (Salzburg)

  • Introduction to the Section „Current Issues in the Editing of Baroque Music“ (2021)

David Irving (Barcelona)

  • French and Italian Bowholds in the Early Eighteenth Century: Implications for Musical Change within the Dresden Hofkapelle (2019) 

Tomasz Jez (Warszaw)

  • From the sunny side of the Sudetes. The music of Czech Jesuits in Wrocław (2021)

Maciej Jochymczyk (Kraków)

  • The life and work of Jacek Szczurowski SJ in the light of the editions published in the Fontes Musicae in Polonia series (2021)

Pavel Jurák (Prag)

  • Nicola Porpora v Inventáriu Jana Dismase Zelenky (2019)

Peter Martinček (Bratislava)

  • The Editing of Vocal Compositions Surviving in the Form of New German Organ Tablature (2021)

Libor Mašek (Prag)

  • The Search for the Ideal Form of the Sheet Music Transcription of Zelenka’s Compositions (2017)

Michael Maul (Leipzig)

  • Der Fall Christian Siegmund Nitzschner – Überlegungen zu einem neuen Zelenka-Dokument (2016)

Kjartan Óskarsson (Reykjavik)

  • Zelenka and the Chalumeau (2018)

Samantha Owens (Wellington)

  • The Social Status of Trumpeters and Kettledrummers at the Courts of Dresden and Stuttgart, c. 1700–1740 (2020)

Jana Perutková (Brno)

  • Oratorios for performance at the Holy Sepulchre in the Czech lands and Austria in the 18th century and the case of Zelenka (2019)

Alexander Rausch (Wien)

  • Editing Fux operas in/for practice and theory (2021)

Sebastian Sanyal (Grossbritannien)

  • The Louňovice pod Blaníkem parish registers 1675-1685: A search for the possible connections of the Zelenka family (2017)

Maria Sawinkova (Moscow)

  • Dresden Manuscript Collection in Moscow (2018) 

Jiří Sehnal (Brno)

  • Vogt’s advice to composers (2020)

Michael Talbot (read by Samantha OWENS, Wellington)

  • A Few Thoughts on a Zelenka Collected (or even Complete) Edition (2021)

Karel Veverka (Praha)

  • The Musical Patronage of Count Johann Hubert von Hartig of the Order of the Knights of the Cross with the Red Star in Prague (2015)

Jana Vojtěšková (Prag)

  • Zelenka’s work in the 18th and 19th century in Prague (2015)

Lukáš Vokřínek (Prag)

  • Godparenthood in the family of cantor and organist Jiřík Zelenka Bavorovský (2018)